This watercolor, which is exhibited for the first time in Audubon’s Aviary: Parts Unknown, came into the collection from Lucy Bakewell Audubon without an attribution. Whereas it was originally thought to be by Audubon, it has been reattributed to its proper artist, William MacGillivray (see comparative figure), JJA’s editor of the Ornithological Biography, the five-volume “text” of The Birds of America sent to all his subscribers. Audubon hired MacGillivray, the Scottish naturalist and university lecturer, as his highly disciplined professional collaborator, to help him “improve” his “text” for The Birds of America. A friend of Charles Darwin’s and a foil in personality to Audubon, “Mac” helped with scientific information and grammar. The two men quickly forged a mutual admiration society. Mac lent scientific precision that supplemented Audubon’s field observations, which MacGillivray ardently supported. In turn, Audubon taught MacGillivray watercolor techniques, such as an unfinished version of Audubon’s Tricolored Heron watercolor (JJA’s original, 1863.17.213, is exhibited in Parts Unknown). Maria Martin duplicated this same watercolor as a pedagogical exercise for Audubon. Eventually, the Scot learned to execute beautiful watercolors, albeit with a generally grayish, more pastel palette, and flatter forms. He planned to engrave them for his British counterpart to Audubon’s work, but he was unable to afford lavish illustrations. His smaller-scale treatises feature a few black and white engravings. Manual of British Birds (1846) includes them only in its introduction, while A History of British Birds (1837–52) contains mostly figures of heads and alimentary organs (see comparative figure). These illustrations are positive evidence that the 145 anatomical illustrations based on dissections of 107 species in the last three volumes of the Ornithological Biography and the octavo edition of The Birds were by MacGillivray. The Scot believed these organs held the secret to classification, which today rests on DNA in combination with morphological traits.
Audubon’s Aviary: Part I and Part II of The Complete Flock
Letter from Lucy Audubon (New York, New York) to Frederic De Peyster (New York, New York), February 13, 1863
In this letter to Frederic De Peyster, who brokered the sale of Audubon’s w[...]
Powerful and fast-flying (speeds up to 69 miles per hour), the Peregrine Fa[...]
In his ornithological quest for additional species for The Birds of America[...]
Museum StoreWritten by Roberta J.M. Olson with a contribution by Marjorie Shelley, Audubon’s Aviary: The Original Watercolors for the Birds of America returns to these original paintings and tells the story behind this monumental classic with new discoveries about this American icon. Audubon’s Aviary was awarded the 2013 Association of Art Museum Curators Outstanding Permanent Collection Catalogue Prize, as well as the Henry Allen Moe Prize for Catalogs of Distinction in the Arts, the New York State Historical Association, 2013. It was also selected as one of Amazon.com’s 2012 Best Books of the Year and the 2013 New York Book Show Award winner in the category of Fine Art.