The two specimens and the nest that Audubon portrayed in this watercolor model were sent to him from the West by Nuttall, who described the male of the species as “a breathing gem, or magic carbuncle of glowing fire, stretching out its gorgeous ruff, as if to emulate the sun itself in splendour.” Audubon first laid in the composition in graphite and then executed the watercolor in Charleston; Maria Martin painted the nest and the blooming spider-flower.
Audubon’s Aviary: Part I and Part II of The Complete Flock
Powerful and fast-flying (speeds up to 69 miles per hour), the Peregrine Fa[...]
In his ornithological quest for additional species for The Birds of America[...]
Letter from Lucy Audubon (New York, New York) to Frederic De Peyster (New York, New York), February 13, 1863
In this letter to Frederic De Peyster, who brokered the sale of Audubon’s w[...]
Letter from John James Audubon (Liverpool, England) to Robert Havell Jr. (London, England), December 31, 1827
This letter dates from the first year of the Audubon-Havell collaboration, [...]
Museum StoreWritten by Roberta J.M. Olson with a contribution by Marjorie Shelley, Audubon’s Aviary: The Original Watercolors for the Birds of America returns to these original paintings and tells the story behind this monumental classic with new discoveries about this American icon. Audubon’s Aviary was awarded the 2013 Association of Art Museum Curators Outstanding Permanent Collection Catalogue Prize, as well as the Henry Allen Moe Prize for Catalogs of Distinction in the Arts, the New York State Historical Association, 2013. It was also selected as one of Amazon.com’s 2012 Best Books of the Year and the 2013 New York Book Show Award winner in the category of Fine Art.